These four all-action gay sex episodes from director Matt Sterling highlight sailors on leave, spanking, armpit and foot licking, and hearty oral and anal sex. Brentwood Classics. 1970’s feel. - NMHOTDAD
These four all-action gay sex episodes from director Matt Sterling highlight sailors on leave, spanking, armpit and foot licking, and hearty oral and anal sex. Brentwood Classics. 1970’s feel. - NMHOTDAD
The horny shore-leave adventures of a sailor in Los Angeles. Jaguar generally produced quality films with full storylines. This title was directed by the great Pat Rocco, using a stage name. - NMHOTDAD
I have been planning a threesome with one of my favorite boys for a while, and today I meet just the guy to bring into the mix. He’s a sexy soldier, and I can’t wait to see what kind of heat he’s pack - mormonboyz
THE OPERATION WAS SUCCESSFUL...2 HOT HUNG YOUNG MUSCLE STUDS BAREBACK FUCK IN ARMY BARRACKS...HOT COCK SUCKING,FACE FUCKING, DEEP RAW ASS PLOWING, HUGE CUMSHOTS, CUM EAT N KISS...SOLDIER I WANT YOU!!! - everyone55
IT SMELLS LIKE CUM...2 HOT HUNG YOUNG SOLDIERS BAREBACK FUCK IN BARRACK'S BUNK...KISSING, COCK SUCKING, 69ING, RAW DEEP ASS PLOWING, HUGE CUMSHOTS AND BREEDING... YOUNG STUDS IN HEAT!!! ENJOY!!! - everyone55
A very early stab at a mainstream gay flick that involves BDSM and other fetishes. There’s a dab of everything here, including some crossdressing. A motorcycle breaks down. Drag ensues. Great hairdos - NMHOTDAD
Three sailors on leave in Hollywood look for pussy. Each one ends up fucking with men. Gay semi-spoof of a Jack Nicolson hit - The Last Detail. - NMHOTDAD
MORNING HARDON...HOT HUNG YOUNG SOLDIER STUDS BAREBACK THREESOME...HOT KISSING,COCK SUCKING,NIPPLE N ASS PLAY, HANDJOB, RIMMING, RAW ASS PLOWING, HUGE CUMSHOTS,CUM IN ASS N CUM EATING, MORNING WOOD!!! - everyone55
Gay roommates Johnny Hill& Carter Woods fuck on every occasion and whenever they can. Outdoor, indoor, dirty ground, or clean bedroom, every place is good for assfucking for these two. - Johnny Hill Carter Woods - GayParade
